Femmes assises. Photographie We then focus on three

We then focus on three great protagonists of Neapolitan painting: Massimo Stanzione

As Yourcenar asserted in 1954 in Electra's Notebook

Since the early 1970s

While it denotes a clear concern about the future of historical achievements

we have just traveled halfway around the world

Femmes assises. Photographie We then focus on threeThe book tackles a subject neglected by art history, that of seated women, by proposing three readings. One, offering from page to page a gallery of paintings of varying notoriety; the second, of a sociological nature, examines the implications of this posture and the causes of its recurrence; the last, finally, of a more creative nature, affixing short texts to the works.